Saturday, October 12, 2019
Comparing Seamus Heaneyââ¬â¢s Digging and Eavan Borlandââ¬â¢s In Search of a Nation :: Comparison Compare Contrast Essays
Comparing Seamus Heaneyââ¬â¢s Digging and Eavan Borlandââ¬â¢s In Search of a Nation à à à Seamus Heaneyââ¬â¢s ââ¬Å"Diggingâ⬠and Eavan Borlandââ¬â¢s ââ¬Å"In Search of a Nationâ⬠focus on issues involving identity.à Bolandââ¬â¢s essay reveals an individual uncertain in her personality, sexuality, and nationality while Heaneyââ¬â¢s poem depicts a man who recognizes his familyââ¬â¢s lineage of field laborers yet chooses the pen over the shovel. The benefit of reading the two works vis-a-vis reveals how Ireland has influenced their lives. à à à à Heaneyââ¬â¢s use of ââ¬Å"diggingâ⬠provides different metaphorical images.à For example, as Heaney sits at the window he hears: à à à à à à à â⬠¦a clean rasping sound à à à à à à à When the spade sinks in to gravelly ground: à à à à à à à My father, digging. I look downà à à à à à à à à à à à à à à à à à à à à à à à à à 5 à à à à à à à Till his straining rump among the flowerbeds à à à à à à à Bends low, comes up twenty years away à à à à à à à Stooping in rhythm through potato drills à à à à à à à Where he was digging (3). Heaney emphasizes the aspect of time claiming that his father has been laboring for twenty years. He implies that during the twenty years a shift took place from the potato drills to flowerbeds.à The shift represents the possible retirement of his father from fieldwork to something more recreational, e.g. gardening, and hints at mortality.à The image of a flowerbed invokes a flower arrangement for a gravesite. The imagery coupled with the use of past tense indicates that his father has passed away. à à à In addition to the aspect of time the fact that he is listening to his father dig suggests a sense of oral tradition that has been passed on to him.à Heaney describes his father as being ââ¬Å"Just like his old manâ⬠linking himself to his own grandfather (3). Though he has not actively participated in his fatherââ¬â¢s laboring Heaney would have been able to hear the stories of working in the potato fields.à As a result Heaney has learned the historical 1importance of the previous generation. Boland relates well with Heaney in terms of a tradition that in her case is more literary than oral.à In her teen years after reading the poem ââ¬Å"The Foolâ⬠by Padraic Pearse she unearths deeply seeded emotions of Irish patriotism: à à à à à à à What I see is the way a poem about nationhood has suddenly included meâ⬠¦ The à à à à à à à inclusion is not by address or invocation but by a sweeping and self-proposing act of à à à à à à à language that speaks to all the longings I have for grandiloquence and certainty (53).
Friday, October 11, 2019
Does the Art of Science Vitiate the Science of Art? Essay
INTRODUCTION à Why there would be ripples in the modern art world, if a 17th century artist is found to have used an instrument to perfect his art? It all started when David Hockney, a British artist, started his research on artists, mainly of the Renaissance Period, when observed some ââ¬Ësuspicious detailsââ¬â¢ in the works of Johannes Vermeer (1632-1675), an artist of Holland, who, like many of his contemporaries had failed to make his rank in his time and thus struggled all along, before getting recognized and appreciated posthumously. The fact that he could master only 30 paintings indicates about the roadblocks he had before him.à However, he has been ââ¬Ërediscoveredââ¬â¢ presently and his works are now lauded for its wonderful details, which are found to be one up in his time, mainly for their precision. The Situation It was that precision, which caught the fancy of David the researcher. Stunned by the perfect perspectives and light distortions in Vermeerââ¬â¢s paintings. David delved deep into matter and came out with a conclusion that Vermeer might have used a refracting device, such as a ââ¬ËCamera Obscuraââ¬â¢, to achieve that incredible degree of precision in the details in his paintings. Camera Obscura It is one of the early optical instruments, presumed to have been invented in the late Renaissance period, around the time Galileo, the inventor of Telescope. However, Hockney`s new evidence seems to suggest that the usage of magnifying tools like Camera Obscura were there well before that. Thatââ¬â¢s a good finding. The Art of Science Camera Obscura is a light-tight box with a small whole on one side, through which an image of an outside object can be projected onto a wall or piece of paper. The resulting image will be projected upside down. This is due to the fact that the reflected rays of light, which enter the box, do not spread out but traverse and reorganize, before reappearing as an upside down reflection. The size of the pinhole determines the sharpness of the reflected image, as well as the degree of diffraction and the level of light sensitivity. The narrower the passage of light, the lesser sensitive is the image. Moreover, narrow holes result in sharper projections and a better image resolution ââ¬â since the resulting circle of confusion, the distortion of bright areas caused by the shape of the pinhole, will be smaller. This situation also calls to define the resultant diffraction from a particularly small pinhole, which causes a rather unfocused projection of the image. This phenomenon can be explained by the wave theory of light, which states that light behaves like a wave. Diffraction, in this case, refers to the dispersion of waves (light) when passing through the pinhole, which produces a hologram effect. The smaller and closer to the lightsââ¬â¢ wavelength the hole is, larger the proportion is in the diffraction pattern, compared to a larger opening. To further increase the brightness and focus of the image, artists started to use a lens instead of the pinhole. It is really heartening to imagine that some of the artists of the Renaissance Period experimented on such nuances of diffraction towards gaining unbelievably realistic, almost photographic paintings. Vermeerââ¬â¢s Endeavor Situations indeed indicate that Vermeer might have used a Camera Obscura to enhance his paintings. Firstly, Vermeer didnââ¬â¢t seem to have used any sort of sketches or preparatory drawings while on his way towards producing paintings with incredibly realistic details and perspective in them. That couldnââ¬â¢t have happened if such works were done manually. His work, ââ¬Å"Soldier and Laughing Girlâ⬠, where an amazingly detailed map can be seen hanging on the wall in the background, consolidates this assumption ââ¬â even after zooming, the map seems to be an exact replication of a map at the time. How could he achieve such precision at one go, if he didnââ¬â¢t use any instrument? Another indication is the presence of bright, round reflections on reflective surfaces. Almost all the reflections in Vermeerââ¬â¢s paintings have an unusually circular shape. We now believe that these round reflections are circles of confusion, which are caused by the imperfection of the lens through which the image is reflected or can occur when the lens is not focused. Such unusually round reflections are distortions of bright areas caused by the shape of the pinhole of the Camera Obscura. One of the most famous examples of such a circle of confusion is the reflection in the girlââ¬â¢s earring in Vermeer`s masterpiece ââ¬Å"The girl with the pearl earring.â⬠Thirdly most of his paintings seem to take place in the same room. A reason for this could have been the size and weight of the apparatus. It might have been too laborious and time consuming to move the optic device in those days. Furthermore, in his painting ââ¬Å"The Music Lessonâ⬠, there is a mirror on top of the piano, which reflects the leg of an object, which could have been a Camera Obscura. Science of Art Even though the indications point towards Vermeerââ¬â¢s using of optical instruments, that should be seen as a bold, and nonetheless creative endeavor, which aligns with the intellectual movements of that period ââ¬â considering the treatise and texts about optics circulated then ââ¬â only substantiates Vermeerââ¬â¢s contemporary approach towards his work, when people of 17th century had been exploring the possibilities of mirrors and lenses ââ¬â it was then, even with low quality lenses and bad resolution, Vermeer and his colleagues would have been able to create incredibly detailed pictures. Lastly, the use of such instrument at that time could not have lessened the value of the art. It is assumed, that the painters using a Camera Obscura, merely used the projection of the image as a foundation, a sketch, on which they would paint. Since the projection of the image would be like a movie in color and every movement of the object would distort the artist drawing, only certain features of the object could be taken down on paper, leaving the rest to be done by the artist him/herself. CONCLUSION Artists of 17th century could not be totally dependent on Camera Obscura ââ¬â they had to add in their own imagination, creativity and hard, manual labor. Attaining precision was just a part of their whole aim, and the attempt to achieve that by using an instrument cannot be hyped as something demeaning in the approach of the artists who did that. It is clear that those artists simply used Camera Obscura to increase precision or shorten the sketching time. There is nothing more in this useless debate, as the choice and combination of colors, the brush strokes, the shading, the technique and much more that take to make a great image, were done all by the artists themselves. To quote Hockney ââ¬â ââ¬Å"The lens canââ¬â¢t draw a line, only the hand can do thatâ⬠, would be enough to block this controversy for once and all. Therefore this has nothing to do with any useless debate on the ethical violation of the creative processes involved in painting. It could have been so, if Vermeer did his works with blood, or stole or plagiarize someone elseââ¬â¢s idea.
Thursday, October 10, 2019
The Department’s Management is Sound
Obviously, this kind of situation shows lack of strategies in the financial management area of the department. It may be possible that the department is able to provide themselves all the resources they need, thus allowing them to provide satisfactory service that their department is expected to provide. However, beyond the departmentâ⬠s activities of supplying themselves with sufficient resources, there may exist an inability to monitor and effectively handle their financial resources. Therefore, causing the department to go over its budget. Another problem that may exist in the department causing the over budget problem is its inability to evaluate and consider the advantages and disadvantages of every action that they take. For instance, activities such as hiring of new employees may be seen by the department to be constructive for the different projects that it handles. However, considering the cost of hiring new employees may be overlooked by the departmentâ⬠s management. Inability to decide on what is the best solution to take or inability to find alternative solutions for a problem may be another characteristic of the department that causes over budget problem. The success in managing a department does not only depend and cannot be measured only on how a department is able to perform its duties to a company. Instead, the measurement of a real successful management are the efficiency and accuracy of the strategies used to become successful. For instance, allocating sufficient employees to a project may be helpful to a project. It may also be effective because of enough manpower to complete a project. However, is it accurate and efficient for the companyâ⬠s expense? A drawback of too much employeesâ⬠idle time may exist. This results to the department spending money for employeesâ⬠unproductive hours.
Wednesday, October 9, 2019
Part Two Chapter IX
IX ââ¬ËAnd where are you going?' asked Simon, planting himself squarely in the middle of the tiny hall. The front door was open, and the glass porch behind him, full of shoes and coats, was blinding in the bright Saturday morning sun, turning Simon into a silhouette. His shadow rippled up the stairs, just touching the one on which Andrew stood. ââ¬ËInto town with Fats.' ââ¬ËHomework all finished, is it?' ââ¬ËYeah.' It was a lie; but Simon would not bother to check. ââ¬ËRuth? Ruth!' She appeared at the kitchen door, wearing an apron, flushed, with her hands covered in flour. ââ¬ËWhat?' ââ¬ËDo we need anything from town?' ââ¬ËWhat? No, I don't think so.' ââ¬ËTaking my bike, are you?' demanded Simon of Andrew. ââ¬ËYeah, I was going to ââ¬â ââ¬Ë ââ¬ËLeaving it at Fats' house?' ââ¬ËYeah.' ââ¬ËWhat time do we want him back?' Simon asked, turning to Ruth again. ââ¬ËOh, I don't know, Si,' said Ruth impatiently. The furthest she ever went in irritation with her husband was on occasions when Simon, though basically in a good mood, started laying down the law for the fun of it. Andrew and Fats often went into town together, on the vague understanding that Andrew would return before it became dark. ââ¬ËFive o'clock, then,' said Simon arbitrarily. ââ¬ËAny later and you're grounded.' ââ¬ËFine,' Andrew replied. He kept his right hand in his jacket pocket, clenched over a tightly folded wad of paper, intensely aware of it, like a ticking grenade. The fear of losing this piece of paper, on which was inscribed a line of meticulously written code, and a number of crossed-out, reworked and heavily edited sentences, had been plaguing him for a week. He had been keeping it on him at all times, and sleeping with it inside his pillowcase. Simon barely moved aside, so that Andrew had to edge past him into the porch, his fingers clamped over the paper. He was terrified that Simon would demand that he turn out his pockets, ostensibly looking for cigarettes. ââ¬ËBye, then.' Simon did not answer. Andrew proceeded into the garage, where he took out the note, unfolded it and read it. He knew that he was being irrational, that mere proximity to Simon could not have magically switched the papers, but still he made sure. Satisfied that all was safe, he refolded it, tucked it deeper into his pocket, which fastened with a stud, then wheeled the racing bike out of the garage and down through the gate into the lane. He could tell that his father was watching him through the glass door of the porch, hoping, Andrew was sure, to see him fall off or mistreat the bicycle in some way. Pagford lay below Andrew, slightly hazy in the cool spring sun, the air fresh and tangy. Andrew sensed the point at which Simon's eyes could no longer follow him; it felt as though pressure had been removed from his back. Down the hill into Pagford he streaked, not touching the brakes; then he turned into Church Row. Approximately halfway along the street he slowed down and cycled decorously into the drive of the Walls' house, taking care to avoid Cubby's car. ââ¬ËHello, Andy,' said Tessa, opening the front door to him. ââ¬ËHi, Mrs Wall.' Andrew accepted the convention that Fats' parents were laughable. Tessa was plump and plain, her hairstyle was odd and her dress sense embarrassing, while Cubby was comically uptight; yet Andrew could not help but suspect that if the Walls had been his parents, he might have been tempted to like them. They were so civilized, so courteous. You never had the feeling, in their house, that the floor might suddenly give way and plunge you into chaos. Fats was sitting on the bottom stair, putting on his trainers. A packet of loose tobacco was clearly visible, peeking out of the breast pocket of his jacket. ââ¬ËArf.' ââ¬ËFats.' ââ¬ËD'you want to leave your father's bicycle in the garage, Andy?' ââ¬ËYeah, thanks, Mrs Wall.' (She always, he reflected, said ââ¬Ëyour father', never ââ¬Ëyour dad'. Andrew knew that Tessa detested Simon; it was one of the things that made him pleased to overlook the horrible shapeless clothes she wore, and the unflattering blunt-cut fringe. Her antipathy dated from that horrific epoch-making occasion, years and years before, when a six-year-old Fats had come to spend Saturday afternoon at Hilltop House for the first time. Balancing precariously on top of a box in the garage, trying to retrieve a couple of old badminton racquets, the two boys had accidentally knocked down the contents of a rickety shelf. Andrew remembered the tin of creosote falling, smashing onto the roof of the car and bursting open, and the terror that had engulfed him, and his inability to communicate to his giggling friend what they had brought upon themselves. Simon had heard the crash. He ran out to the garage and advanced on them with his jaw jutting, making his low, moaning animal noise, before starting to roar threats of dire physical punishment, his fists clenched inches from their small, upturned faces. Fats had wet himself. A stream of urine had spattered down the inside of his shorts onto the garage floor. Ruth, who had heard the yelling from the kitchen, had run from the house to intervene: ââ¬ËNo, Si ââ¬â Si, no ââ¬â it was an accident.' Fats was white and shaking; he wanted to go home straight away; he wanted his mum. Tessa had arrived, and Fats had run to her in his soaking shorts, sobbing. It was the only time in his life that Andrew had seen his father at a loss, backing down. Somehow Tessa had conveyed white-hot fury without raising her voice, without threatening, without hitting. She had written out a cheque and forced it into Simon's hand, while Ruth said, ââ¬ËNo, no, there's no need, there's no need.' Simon had followed her to her car, trying to laugh it all off; but Tessa had given him a look of contempt while loading the still-sobbing Fats into the passenger seat, and slammed the driver's door in Simon's smiling face. Andrew had seen his parents' expressions: Tessa was taking away with her, down the hill into the town, something that usually remained hidden in the house on top of the hill.) Fats courted Simon these days. Whenever he came up to Hilltop House, he went out of his way to make Simon laugh; and in return, Simon welcomed Fats' visits, enjoyed his crudest jokes, liked hearing about his antics. Still, when alone with Andrew, Fats concurred wholeheartedly that Simon was a Grade A, 24-carat cunt. ââ¬ËI reckon she's a lezzer,' said Fats, as they walked past the Old Vicarage, dark in the shadow of the Scots pine, with ivy covering its front. ââ¬ËYour mum?' asked Andrew, barely listening, lost in his own thoughts. ââ¬ËWhat?' yelped Fats, and Andrew saw that he was genuinely outraged. ââ¬ËFuck off! Sukhvinder Jawanda.' ââ¬ËOh, yeah. Right.' Andrew laughed, and so, a beat later, did Fats. The bus into Yarvil was crowded; Andrew and Fats had to sit next to each other, rather than in two double seats, as they preferred. As they passed the end of Hope Street, Andrew glanced along it, but it was deserted. He had not run into Gaia outside school since the afternoon when they had both secured Saturday jobs at the Copper Kettle. The cafe would open the following weekend; he experienced waves of euphoria every time he thought of it. ââ¬ËSi-Pie's election campaign on track, is it?' asked Fats, busy making roll-ups. One long leg was stuck out at an angle into the aisle of the bus; people were stepping over it rather than asking him to move. ââ¬ËCubby's cacking it already, and he's only making his pamphlet.' ââ¬ËYeah, he's busy,' said Andrew, and he bore without flinching a silent eruption of panic in the pit of his stomach. He thought of his parents at the kitchen table, as they had been, nightly, for the past week; of a box of stupid pamphlets Simon had had printed at work; of the list of talking points Ruth had helped Simon compile, which he used as he made telephone calls, every evening, to every person he knew within the electoral boundary. Simon did all of it with an air of immense effort. He was tightly wound at home, displaying heightened aggression towards his sons; he might have been shouldering a burden that they had shirked. The only topic of conversation at meals was the election, with Simon and Ruth speculating about the forces ranged against Simon. They took it very personally that other candidates were standing for Barry Fairbrother's old seat, and seemed to assume that Colin Wall and Miles Mollison spent most of their time plotting together, staring up at Hilltop House, focused entirely on defeating the man who lived there. Andrew checked his pocket again for the folded paper. He had not told Fats what he intended to do. He was afraid that Fats might broadcast it; Andrew was not sure how to impress upon his friend the necessity for absolute secrecy, how to remind Fats that the maniac who had made little boys piss themselves was still alive and well, and living in Andrew's house. ââ¬ËCubby's not too worried about Si-Pie,' said Fats. ââ¬ËHe thinks the big competition is Miles Mollison.' ââ¬ËYeah,' said Andrew. He had heard his parents discussing it. Both of them seemed to think that Shirley had betrayed them; that she ought to have forbidden her son from challenging Simon. ââ¬ËThis is a holy fucking crusade for Cubby, y'know,' said Fats, rolling a cigarette between forefinger and thumb. ââ¬ËHe's picking up the regimental flag for his fallen comrade. Ole Barry Fairbrother.' He poked strands of tobacco into the end of the roll-up with a match. ââ¬ËMiles Mollison's wife's got gigantic tits,' said Fats. An elderly woman sitting in front of them turned her head to glare at Fats. Andrew began to laugh again. ââ¬ËHumungous bouncing jubblies,' Fats said loudly, into the scowling, crumpled face. ââ¬ËGreat big juicy double-F mams.' She turned her red face slowly to face the front of the bus again. Andrew could barely breathe. They got off the bus in the middle of Yarvil, near the precinct and main pedestrian-only shopping street, and wove their way through the shoppers, smoking Fats' roll-ups. Andrew had virtually no money left: Howard Mollison's wages would be very welcome. The bright-orange sign of the internet cafe seemed to blaze at Andrew from a distance, beckoning him on. He could not concentrate on what Fats was saying. Are you going to? he kept asking himself. Are you going to? He did not know. His feet kept moving, and the sign was growing larger and larger, luring him, leering at him. If I find out you've breathed a word about what's said in this house, I'll skin you alive. But the alternative â⬠¦ the humiliation of having Simon show what he was to the world; the toll it would take on the family when, after weeks of anticipation and idiocy, he was defeated, as he must be. Then would come rage and spite, and a determination to make everybody else pay for his own lunatic decisions. Only the previous evening Ruth had said brightly, ââ¬ËThe boys will go through Pagford and post your pamphlets for you.' Andrew had seen, in his peripheral vision, Paul's look of horror and his attempt to make eye contact with his brother. ââ¬ËI wanna go in here,' mumbled Andrew, turning right. They bought tickets with codes on them, and sat down at different computers, two occupied seats apart. The middle-aged man on Andrew's right stank of body odour and old fags, and kept sniffing. Andrew logged onto the internet, and typed in the name of the website: Pagford â⬠¦ Parish â⬠¦ Council â⬠¦ dot â⬠¦ co â⬠¦ dot â⬠¦ uk â⬠¦ The homepage bore the council arms in blue and white, and a picture of Pagford that had been taken from a point close to Hilltop House, with Pargetter Abbey silhouetted against the sky. The site, as Andrew already knew, from looking at it on a school computer, looked dated and amateurish. He had not dared go near it on his own laptop; his father might be immensely ignorant about the internet, but Andrew did not rule out the possibility that Simon might find somebody at work who could help him investigate, once the thing was done â⬠¦ Even in this bustling anonymous place, there was no avoiding the fact that today's date would be on the posting, or of pretending that he had not been in Yarvil when it happened; but Simon had never visited an internet cafe in his life, and might not be aware that they existed. The rapid contraction of Andrew's heart was painful. Swiftly, he scrolled down the message board, which did not seem to enjoy a lot of traffic. There were threads entitled: refuse collection ââ¬â a Query and school catchment areas in Crampton and Little manning? Every tenth entry or so was a posting from the Administrator, attaching Minutes of the Last Council Meeting. Right at the bottom of the page was a thread entitled: Death of Cllr Barry Fairbrother. This had received 152 views and forty-three responses. Then, on the second page of the message board, he found what he hoped to find: a post from the dead man. A couple of months previously, Andrew's computing set had been supervised by a young supply teacher. He had been trying to look cool, trying to get the class onside. He shouldn't have mentioned SQL injections at all, and Andrew was quite sure that he had not been the only one who went straight home and looked them up. He pulled out the piece of paper on which he had written the code he had researched in odd moments at school, and brought up the log-in page on the council website. Everything hinged on the premise that the site had been set up by an amateur a long time ago; that it had never been protected from the simplest of classical hacks. Carefully, using only his index finger, he input the magic line of characters. He read them through twice, making sure that every apostrophe was where it should be, hesitated for a second on the brink, his breathing shallow, then pressed return. He gasped, as gleeful as a small child, and had to fight the urge to shout out or punch the air. He had penetrated the tin-pot site at his first attempt. There, on the screen in front of him, were Barry Fairbrother's user details: his name, his password, his entire profile. Andrew smoothed out the magic paper he had kept under his pillow all week, and set to work. Typing up his next paragraph, with its many crossings out and reworkings, was a much more laborious process. He had been trying for a style that was as impersonal and impenetrable as possible; for the dispassionate tone of a broadsheet journalist. Aspiring Parish Councillor Simon Price hopes to stand on a platform of cutting wasteful council spending. Mr Price is certainly no stranger to keeping down costs, and should be able to give the council the benefit of his many useful contacts. He saves money at home by furnishing it with stolen goods ââ¬â most recently a PC ââ¬â and he is the go-to man for any cut-price printing jobs that may need doing for cash, once senior management has gone home, at the Harcourt-Walsh Printworks. Andrew read the message through twice. He had been over it time and again in his mind. There were many accusations he could have levelled at Simon, but the court did not exist in which Andrew could have laid the real charges against his father, in which he would have presented as evidence memories of physical terror and ritual humiliation. All he had were the many petty infractions of the law of which he had heard Simon boast, and he had selected these two specific examples ââ¬â the stolen computer and the out-of-hours printing jobs done on the sly ââ¬â because both were firmly connected to Simon's workplace. People at the printer's knew that Simon did these things, and they could have talked to anybody: their friends, their families. His guts were juddering, the way they did when Simon truly lost control and laid about anyone within reach. Seeing his betrayal in black and white on the screen was terrifying. ââ¬ËWhat the fuck are you doing?' asked Fats' quiet voice in his ear. The stinking, middle-aged man had gone; Fats had moved up; he was reading what Andrew had written. ââ¬ËFucking hell,' said Fats. Andrew's mouth was dry. His hand lay quiescent on the mouse. ââ¬ËHow'd you get in?' Fats whispered. ââ¬ËSQL injection,' said Andrew. ââ¬ËIt's all on the net. Their security's shit.' Fats looked exhilarated; wildly impressed. Andrew was half pleased, half scared, by the reaction. ââ¬ËYou've gotta keep this to ââ¬â ââ¬Ë ââ¬ËLemme do one about Cubby!' ââ¬ËNo!' Andrew's hand on the mouse skidded away from Fats' reaching fingers. This ugly act of filial disloyalty had sprung from the primordial soup of anger, frustration and fear that had slopped inside him all his rational life, but he knew no better way to convey this to Fats than by saying, ââ¬ËI'm not just having a laugh.' He read the message through a third time, then added a title to the message. He could feel Fats' excitement beside him, as if they were having another porn session. Andrew was seized by a desire to impress further. ââ¬ËLook,' he said, and he changed Barry's username to The_Ghost_ of_Barry_Fairbrother. Fats laughed loudly. Andrew's fingers twitched on the mouse. He rolled it sideways. Whether he would have gone through with it if Fats had not been watching, he would never know. With a single click, a new thread appeared at the top of the Pagford Parish Council message board: Simon Price Unfit to Stand for Council. Outside on the pavement, they faced each other, breathless with laughter, slightly overawed by what had happened. Then Andrew borrowed Fats' matches, set fire to the piece of paper on which he had drafted the message, and watched it disintegrate into fragile black flakes, which drifted onto the dirty pavement and vanished under passing feet.
Valuing Stocks Essay Example | Topics and Well Written Essays - 250 words
Valuing Stocks - Essay Example The DJIA is price weighted and the average stock movement is widely affected by the large stocks. 4. On January 16, 2007, the Dow Jones Industrial Average set a new high. The index closed at 12,582.59, which was up 26.51 that day. What was the return (in percent) of the stock market that day?" (Cornett, Adair, and Nofsinger, 2012, p. 173). 5. "At your discount brokerage firm, it costs $9.50 per stock trade. How much money do you need to buy 300 shares of Time Warner, Inc. (TWX), which trades at $22.62?" (Cornett, Adair, and Nofsinger, 2012, p. 173). 6. Financial analysts forecast Safeco Corp. (SAF) growth for the future to be a constant 10 percent. Safecos recent dividend was $1.20. What is the value of Safeco stock when the required return is 12 percent?" (Cornett, Adair, and Nofsinger, 2012, p. 174). 7. A preferred stock from Duquesne Light Company (DQUPRA) pays $2.10 in annual dividends. If the required return on the preferred stock is 5.4 percent, what is the value of the stock?" (Cornett, Adair, and Nofsinger, 2012, p.
Monday, October 7, 2019
The World's Poorest Countries Assignment Example | Topics and Well Written Essays - 2500 words
The World's Poorest Countries - Assignment Example Countries with GDP per capita of $765 or lesser than that are declared to be the poor countries (The 10 poorest countries of the world, n. d) According to International monetary fund and the CIA world factbook, Zimbabwe was declared as the poorest country in the world in the year 2010. The study of the list of poorest country in the world also brings into notice that among the top 10 poorest country in the world, 9 of them are from the region of Africa which reflects the vulnerability of the African region. The table below shows the list of the top 10 poorest countries along with their respective GDP during the year 2010 as declared by the International monitory fund. Countries Annual GDP per- capita (in $) Zimbabwe 0.1 Democratic republic of Congo 334 Liberia 379 Burundi 401 Somalia 600 Niger 736 Eritrea 739 Sierra Leone 747 Afghanistan 800 (Top 10 poorest countries in the world 2010, 2010) Poverty is reigning in most of the countries. The causes underlying the poverty are varied in nature. It is not always the people who are responsible for the predicament. The governments of the country play a major role in framing policies which leads to the successful development, whereas failure from their behalf makes the people suffer for years. The leaders of the developed countries are also responsible as their external influences often make the government of poor countries helpless and results in unequal rules of trade. Structural adjustment has been one of the prime causes of poverty. To attract the investment form the developed nations, poor countries try to reduce the wage structure and provide cheaper resources but ultimately it results in the degradation of the economy and increases the poverty level among the people.... The study of the various socio economic conditions of the poorer nations reveals the fact that the opportunity of free trade is not present in the countries. The important factor required in the success of the free trade lies in the fact that the nations entering into the free trade should possess skills and resource to produce cost effective goods and services with which they can trade with other countries. It has been portrayed that the absence of adequate capital, labor and infrastructure prevails in most of the countries. The paper studies in detail about the various aspects of the poorer countries and studies whether any possibility of free trade exists among the poorer nations. The option of free trade would have definitely helped the countries to recover from their overall financial crisis, but the preliminary requirements of entering into the free trade are absent among the countries as highlighted in the study. It is recommended that the poorer nations should prevent them from entering into the free trade agreements unless and until they have the necessary infrastructure and they improve on their core sectors of the economy. If the countries decide to enter into free trade, it would become much more vulnerable for them instead of helping their situation. However the countries should make a strong effort in improving their conditions so that they are in a position to enter free trade as it will really provide an added advantage to them in the days to come. Help from the developed nations of the wo rld are also required for the promotion of free trade among the poorer nations.
Sunday, October 6, 2019
Warranty Review Assignment Example | Topics and Well Written Essays - 500 words
Warranty Review - Assignment Example This paper explores warranty on sale of an electronic (Lenovo smartphone). Warranty on the selected Smartphone included in its quality description. Under this, it is stated that the Smartphone has 8GB internal memory and various applications. The application already installed includes Opera Mini browser, Face book, Mozilla Firefox among other several applications. The smartphone is also installed with video recorder and internal camera. These UCC warranty are located under Express Warranty. They have no modification and are the original manufacturer derived. This warranty generally describes the expected quality of the Lenovo Smartphone as described by the manufacture. Among other warranty described includes screen sensitivity. Being a touch screen smartphone, the customers are assured of high sensitivity to touch. The phone is also resistant to interference with water as waterproof materials cover it. It can remain in use for a long period without knocking down and has varying versatile uses. All these are located under Express Warranty (Miller 285). Ther efore, they do not contain modification words and not guaranteed Other warranty provided includes warranty on merchantibity and fitness for use for a given purpose. The warranty document states that the smartphone so provided is durable when handled with care. It is also warranty that the materials used for manufacturing the smartphone is of excellent quality. Therefore, it has no threats to users and handlers of the smartphone. These entire guarantees are located in Merchantibity Warranty. The modification under merchantability is that the manufacture do not take responsibility on quality not included in the contract. The warranty applies only when there is a complication with the stated quality (Miller 285). Under warranty of fitness for use, its stated that use of the social media application provided have no guaranteed privacy. Compromises of quality due to the use of
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